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SURGE would like to give special thanks to our
community sponsors.
Each year SURGE makes admission to the festival free-of-charge, offe=
rs
Braille material, offers free refreshments for everyone, offers free, detai=
led
film festival programs and grants numerous fee waivers to financially
disadvantaged people worldwide. We
do not accept donations or sponsorships from multinational corporations or =
politician
controlled government affiliated agencies, so sponsorships are crucial! The=
se
sponsors help make all that is given to you as a gift possible. Please support them! We are also now accepting sponsors=
hips for
the 2008 SURGE film festival and conference! Contact us! Your sponsorships and =
donations
enable us to reserve several venues and show more films every year! Solidarity!




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“Ferdinand Porsche fought fo=
r his
automotive technical innovations with unwavering ambition. But established =
car
manufacturers thought many of his ideas expensive and impractical, so he tu=
rned
to Adolf Hitler. The Volkswagen was their joint project. But his new car
factory was then charged with providing vehicles for the German Army. At the
peak of wartime production, two-thirds of the workforce were forced laborer=
s.
The factory also produced aircraft components, bomber engines, and the V1
(Vengeance Weapon).”
The above quote about Volkswagen came from the w=
ebsite
describing the documentary titled “"Hitler's Managers: Episode:
Ferdinand Porsche: The Engineer."&nbs=
p;
History has shown us over and over again that multinational corporat=
ions
often try to sponsor elements of the media (such as newspapers, TV and even
film festivals), simply to censor and influence the media. If an independent documentary deta=
iling
the countless and legendary war crimes of the Volkswagen Corporation's foun=
ders
were created today and submitted to Sundance Film Festival, do you think it
would have an equal chance to be accepted in a Film Festival... that is
sponsored by Volkswagen?
Such conflicts of media interest at Film Festiva=
ls are
not isolated incidents. On th=
e same
page, the Sundance film festival main page, with the Volkswagon Logo you wi=
ll
find a logo for AOL, also known as AOL TIME WARNER. AOL TIME WARNER is a sponsor of the 2007 Sundance film
festival.
 =
;AOL Time Warner's World-Wide Assault on
Independent Media
AOL Time Warner's sponsorship of an independent =
film
festival is a heinous conflict of interest.
Below are just two of Time Warner's most recent international assaults on
independent media:
#1. AOL Time Warner: "Communications Opport=
unity,
Promotion and Enhancement Act (COPE Act) of 2006,"
“The nation's largest telephone and cable
companies — including AT&T, Verizon, Comcast and Time Warner R=
12;
want to be Internet gatekeepers, deciding which Web sites go fast or slow a=
nd
which won't load at all. They=
want
to tax content providers to guarantee speedy delivery of their data. They w=
ant
to discriminate in favor of their own search engines, Internet phone servic=
es,
and streaming video — while slowing down or blocking their
competitors. These companies =
have a
new vision for the Internet. Instead of an even playing field, they want to
reserve express lanes for their own content and services — or those f=
rom
big corporations that can afford the steep tolls — and leave the rest=
of
us on a winding dirt road. Th=
e big
phone and cable companies are spending hundreds of millions of dollars lobb=
ying
Congress and the Federal Communications Commission to gut Net Neutrality, p=
utting
the future of the Internet at risk.”
What's at stake if we lose Net Neutrality? The consequences of a world wit=
hout
Net Neutrality would be devastating. Innovation would be stifled, competiti=
on
limited, and access to information restricted. Consumer choice...would be
sacrificed to the interests of a few corporate executives.
Without Net Neutrality, the Internet will look m= ore like cable TV. Network owners will decide which channels, content and applications are available; consumers will have to choose from their menu.<= o:p>
The free and open Internet brings with it the
revolutionary possibility that any Internet site could have the reach of a =
TV
or radio station. The loss of Net Neutrality would end this unparalleled
opportunity for freedom of expression.
What's happening in Congress? In 2006, Congress took up a major
overhaul of the Telecommunications Act called the "Communications
Opportunity, Promotion and Enhancement Act of 2006," or COPE Act. Desp=
ite
more than $175 million spent on lobbying, campaign contributions, deceptive
advertising and fake grassroots groups, the phone and cable companies faile=
d to
pass their legislation.
-Quoted from www.SaveOurInternet.com, Read more by visiting the website and clicking=
on
“What's Net Neutrality?” or visit www.saveaccess.org
#2. AOL Time Warner's Oppression of Independent =
Pint
Media:

SURGE, now in it's third year, has expanded to t=
hree
days instead of two in 2007, and we hope to expand to four or five days in
2008. Would you like to help?=
Join us!
Much like the AWBC, SURGE is an event that is be=
ing
organized with hopes of not replicating the style and approach of tradition=
al
film festivals. Many traditio=
nal
events and film festivals are often alienating and racially homogenized with
little attempt to create universal accessibility and outreach to non-English
speaking people, visually and physically challenged people of our society
and children who are the vict=
ims of
society's 'unspeakable' crimes, injustices and inequalities. These segments=
of
our society are often the most vulnerable populations victimized by the
oppressive characteristics of capitalism and institutionalized oppression.<=
span
style=3D'mso-spacerun:yes'> A movement for a better world cann=
ot
begin nor thrive without the inclusion of such people! SURGE is an attempt to use outreac=
h to
create an inclusive gathering and encourage the movement for a better world=
!.
Several of the films shown at SURGE which exempl=
ify
this approach to outreach are three World Premiers of SURGE: "Golden
Gloves" which documents the brutal inequalities in women's athletics, a
very often overlooked portion of our society; Incest: A Family tragedy, whi=
ch
documents how politicians' incarceration-without-rehabilitation approach to
incest, society's 'unspeakable' crime, is worsening the problem of incest; =
and
A Tale of Two Cemeteries, which documents aspects of the holocaust, speakin=
g up
for those who have past away.
or more information about the A World Beyond Capi=
talism
Conference, the Free of Kings conference and other events, visit: www.aworldbeyondcapitalism.=
org
Statement of Encouragement fr=
om
Leyla Leidecker, the Director of Golden Gloves, to SURGE Film Festival
Attendants:
-------------------=
-----------------
"It's
an honor to be the first film in your program. It is a world premier. As a fellow woman boxer I want to =
invite
you into the locker rooms of amateur women boxers. I feel responsible to cl=
ear
up a few misconceptions and clichés about these girls who box.
Women's
boxing is not a curiosity anymore. It is a legitimate sport, looking for
recognition and an equality of sportsmanship, offering women the same
opportunities as men. But as of today, unfortunately, women still do not ha=
ve
the same rights in this sport as men.
In
amateur boxing nobody gets paid to fight. All you can hope for is a title a=
nd
the honor to be champ in the city, state or country, or even in the Olympic=
s.
However,
boxing is the only sport on the Summer Olympics exclusively for men. In 2005
the International Olympic Comity voted "No" to the inclusion of
women's boxing in the next Olympic Games in Beijing.
This
decision alone should be protested. But its effects in the USA are devastat=
ing,
coming down to many broken dreams and lots of wasted talent. Because of this
decision, amateur women's boxing gets no funding, so that while male
competitors receive monthly stipends, competition costs, and travel expense=
s,
women have no rights to any of these funds.
This
part is the film’s political message, calling for equal rights for wo=
men.
I
also wanted to introduce the public to these incredible women, who besides
being very successful in their out-of-the-ring careers, show great
sportsmanship and camaraderie to each other.”
--------------------------------------
Key
CP =3D COUNTRY OF PRODU=
CTION
CF =3D COUNTRY OF FILMI=
NG.
If
the CP is not shown the COUNTRY OF PRODUCTION was the USA.
If
the CF is not shown the COUNTRY OF FILMING was the USA.
dir=3D directed
Contact Information: For each film, we at least placed an email or website
address so that you can seek full contact information. When an email or web address was n=
ot
available we placed a mailing address if one was available. If you feel we should have done a =
better
job on this film festival program thats a good time for you to start
volunteering to make it so! S=
URGE
continues to permit anonymous entries into the film festival.

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Time slot 5:30p=
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PREMIER |
The Golden Glo=
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Time slot Time slot 6:30p=
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Other Worlds: =
Malian
Gift Economy Director: Andy Li=
n Country of Filmin=
g: Mali You can also watc=
h it on
the link below: |
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